Booked Solid in 30 Days | Arts and Entertainment

BOOKED SOLID IN 30 DAYS teaches you how to get gigs so you can get paid to play music. After learning how to get paid gigs, you possess the unique skills needed to make a decent living as a full-time musician.

Using this system, we can have our gigging calendar booked solid, averaging 5 gigs per week at market or above market rates. It takes us less than 30 days to book and within 90 days, our gig fee income will easily reach $2000 per month. Afterwards we gradually increase our rates until we reach our standard goal of $3500 per month.

The BOOKED SOLID IN 30 DAYS system will work in any populated area of the USA, even if you are not that great at talking to people. If I thought differently, I wouldn?t even offer it up. There?s plenty of BS all over the internet that only works for a handful of people. Why should I add to that? This is basic stuff and works for anyone willing to work it.

This training has also been reviewed and approved by Dr. Beverly Enwall, a PHD from Stanford, who has a Doctorate in education and 40 years in the field of training teachers how to teach. We wanted to ensure that you were getting quality accurate content, simple instruction and time frames that allow individuals to accomplish each step?even if they are busy. So that means what you do with your training, is what counts!

This is a business that will give you a lifestyle of freedom and happiness. Gigging for a living is also a very unique business. Because of a weird competitiveness, most full-time musicians are hard to find. And even if you find one to talk to, they are not going to tell ?the competition? too much. I?m not that way?but I?m the manager, not the musician.

I want you to live your dream of playing music for a living, but I wouldn?t want you to lose all the years and money that we lost trying to figure this thing out. We would have paid a lot of money for this kind of information if it had been available.

This would have been the very first music business investment I made when we started. To this day, no one has offered any ?booking? training based on real life experience, until now. We paid a high price for the things you will soon learn, but if we had not done it, we wouldn?t be able to teach it to you.

We almost went broke trying to figure out how to fill the calendar with good paying gigs. After years of trial and error, in different areas of the US, we were able to develop this simple, unique, proven booking system, that anyone can do.

Today, we never have to worry about booking gigs? Even if we move to a new town, we still know how to book gigs. It?s a skill, and once you learn it, then do it over and over, you will always have the advantage over other musicians in your area.

If you are a singer or a rap artist, it?s a no-brainer?this is for you. (Note: For the record?I believe vocalists are musicians who carry their instrument within) Vocalists can host Karaoke gigs, even sing over tracks, duo up, or at least, sing with a working band. If a vocalist plays piano or guitar, that?s even better.

If you are a guitar player and you can sing, (lucky dog) you will make more money as a solo artist, maybe even a duo. If you can?t sing well, then you can get instrumental (restaurant, winery type) gigs. Otherwise you can duo up with a vocalist?hopefully one that plays an instrument.

If you are a drummer, then you can make solo income hosting open jams. Bar owners love this because you bring out a lot of amateur musicians who bring people to watch them play. Amateur and part-time musicians love it because you provide a drum set and other musicians to play. All they have to do is bring their instrument or drumsticks.

If you play flute, violin, sax, bass, etc. then your best bet is to duo up. Otherwise hosting open mic gigs will work well for you. Be sure to offer a CD to the returning musicians. This builds a solid following because they always have incentive to come back next week to claim their CD.

If you are a ?small time? booking agent, or manager then you can?t afford to be without this information. Most of you constantly have musicians who contact you asking you to book them.

We have a lot of managers from independent labels who have raved over the information found in this training. Some of them ask their potential artist to enroll in the training before working with them. They tell me this helps them to ?qualify? the artist before investing their time and energy into them. I was told by a few that if they don?t enroll, they don?t qualify.

I couldn?t agree more. We were willing to do these things and invest everything, because we were serious. If T had been unwilling to learn and do these things, he would still be an IT tech for the county?earning less money, hating his job.

So, if you are doing all you can to book your small group of artists, but want better results, then you will certainly find the missing link during your 30 day email training.

Not everyone has extreme talent, but you have to be talented enough to entertain folks for hours, with material they want to hear. Discipline can be learned and developed, your selling skills can be learned and developed. But your talent can only be developed?so you have to already have it.

Example: I can sing in tune, but I have no real gift for singing. I make my living asking questions, analyzing and negotiating. That?s my vocal skill. Therefore, I? Read more?

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